Friday, May 1, 2020

Experiment 2: The Bridge (60%)

THE THEORY

'Movement' integrates a uniquely interactive dimension to the traditional built environment, allowing opportunity to integrate nifty adaptations tailored to the building's purpose & igniting a sense of playful surprise in the architectural experience.

https://archstudjeannie.blogspot.com/2020/04/week-7-massing-elements_5.html


3 SKETCH PERSPECTIVE DRAWINGS
36 CUSTOM TEXTURES


1 SKETCHUP MODEL




5 IMAGES
Outdoor Gallery / Meeting Space
Outdoor Lecture Theatre
Main Foyer / Meeting Area (Library in the background)
Perspective Image at 12:00pm
Perspective Image at 5:00pm

THE DESIGN IN RELATION TO THE THEORY


The tectonic nature of this design encouraged exploration into how different planes & levels can creatively interrelate. Thus, the development of the Platform Elevator & Sun Roof moving elements were integral in creating ‘nifty’ & ‘playful’ architectural experience. Although the building acts as a bridge across Anzac Parade, it is also a complex bridge in & of itself – placing a strong emphasis on exploration when circulating through the structure.

Tuesday, April 21, 2020

Week 10: 36 Custom Textures

36 CUSTOM TEXTURES

APPLICATION OF TEXTURES
Plan View

South Facing View

North Facing View

MOVING ELEMENTS

1. Platform Elevator leading from Studio to Workshop / Research Space
Midway through Platform Elevator motion

Arrival at Workshop / Research Space



2. Lecture Theatre Sun Roof
Closed Sun Roof

Open Sun Roof


Wednesday, April 8, 2020

Week 8: Plan & Section

ARCHITECTURAL PLAN PRECEDENT

'Brick Country House' by Mies Van Der Rohe
SPACE PLANNING


Rearranged plan using collage method in Photoshop
Planning of required spaces in brief
Rearranged plan rotated 180 degrees & re-imagined as a section

DRAFT SKETCHUP MODEL
Plan View

West Facing View

Perspective View

DRAFT LUMION RENDERS


Sunday, April 5, 2020

Week 7: Massing Elements

ONE POINT PERSPECTIVE

MASSING ELEMENTS


LUMION RENDER
Chosen FX: Sun Study

THE ARTICLE


"Richard Murphy's 'box of tricks' home named UK house of the year 2016"

Frearson, Amy. "Richard Murphy's 'box of tricks' home named UK house of the year 2016." Dezeen, December 15, 2016. https://www.dezeen.com/2016/12/15/richard-murphy-box-tricks-moving-walls-riba-house-year-edinburgh-uk/

Quotes from the article

"Based on the work of the architect's heroes, including Carlo Scarpa and Joan Soane, it features an assortment of adaptable spaces and nifty features."

"Murphy House was a real box of tricks with a uniqueplayful character"

"Although a small property, it was deceivingly large inside due to the clever use of space. Every room contained a surprise and the attention to detail was exceptional"

5 Words

Adaptable, nifty, unique, playful, surprise

My distinctive & significant theory about movement

'Movement' integrates a uniquely interactive dimension to the traditional built environment, allowing opportunity to integrate nifty adaptations tailored to the building's purpose & igniting a sense of playful surprise in the architectural experience.

Saturday, April 4, 2020

Week 5: Independent Study


BASIC SKETCHUP 3D CROSS
3D cross extending to significant neighbouring buildings


3D CROSS IN RELATION TO SITE
Site Context

Joinery Details of Planes







LUMION RENDERING
Site Context

Texture mapping & humans / car figures for scale

Saturday, March 14, 2020

Experiment 1: The Datum (30%)


DESIGN DEVELOPMENT
Central Staircase Column Experimentation

Based on the feedback received in studio, I was encouraged to develop a more integrated design based on my previous work. Hence, I used the spiral stair and experimented with it to create a central column comprised of three seperate components. Each component leads to a different level in the building and are tailored in size to suit the clients' needs. This centralised column will extend through the length of the structure and will aid in creating a visually consistent building throughout the bottom, middle and top planes.


Initial Section Sketch

Inspired by the curvilinear and symmetrical nature of the section sketch above, I decided to develop these elements further and incorporate them into my architectural design. 
The developed section sketch above depicts the ideation phase of a symmetrically curvaceous building that originates from the central column, weaving in and out of the different planes to create interiors and exteriors through positive and negative space. 


3 PERSPECTIVE IMAGES
South Facing Elevation
The final model shown above is realised from the previous section sketch. The underground workshop for Trent Jenson studios is a spacious area that leads up to the ground plane showroom via two options - the central spiral staircase and the linear staircase. The ground plane is an unenclosed showroom surrounded by a glass barrier to fully utilise the landscape as a backdrop. The above ground workshop for Mountain & Moon is an airy space where the cut outs in the ceiling maximises natural light streaming into the interiors.
Trent Jansen Studio Workshop Interiors
The image above depicts the interior details for Trent Jansen Studios' Workshop. The central spiral staircase is wide in diameter, designed for two movers transporting larger furniture. The linear style staircase is intended to be a more direct pathway for transporting more portable furniture. The interlocking podium in the background serves as a storage and display area for completed works. Horizontal lighting beams span between each curved facade piece, illuminating the underground environment. As per my previous post, the materials "Rippled", "Jagged" & "Pixellated" are superimposed into the podium and spiral staircase.
Above Ground & Ground Plane
The image above gives a spacial understanding of the ground plane showroom directly below Mountain & Moon's workshop. Due to the curvilinear nature of the facade, all three planes of the building are interconnected. The glass flooring anchored by thin steel beams enhances visual transparency, allowing visitors to fully immerse in and appreciate the interrelationship between each plane from all areas of the building.

3 SECTIONAL PERSPECTIVES
Vertical Section
Underground Plan Section
Above Ground Plan Section

ADDRESSING THE CRITERIA

THE TWO WORDS (10%): My words were "Heirloom" & "Dichotomous" for the workshop spaces above ground & underground respectively. The concept of "Heirloom" was achieved by the symmetrical & curvaceously grand form of the building, reflecting the precious and timeless nature of Mountain & Moon's jewellery. The concept of "Dichotomous" is achieved through the contrast of curvilinear and linear lines in the underground workshop, reflecting Trent Jansen studio's characteristic use of juxtaposing forms in furniture.

THE 18 SKETCH SECTIONS (10%): https://archstudjeannie.blogspot.com/2020/02/18-section-sketches.html

THE 36 CUSTOM TEXTURES (10%): https://archstudjeannie.blogspot.com/2020/03/week-3-material-sketches.html

THE DEVELOPED STAIR (20%): The spiral staircase design has been developed into three different components, forming the central uniting column of the building. The spiral stairs from the upper to ground plane is relatively smaller in size to reflect the needs of Mountain & Moon's dainty jewellery. The spiral stairs from the underground to the ground plane is relatively larger in size to accomodate the transportation requirements of Trent Jansen Studios' furniture. Additionally, an alternative linear staircase offers a direct option for moving portable furniture.

THE ARCHITECTURE (50%): In order to maintain an integrated and consistent visual language, the building skin reflects the same theme as the curvilinear stairs - the inspiration for the architectural design. As a circular building, the showroom on the ground plane is 4m tall and boasts 360° panoramic views regardless of the building's orientation. The workshops were each designed to be 6m tall to give a sense of space and encourage creative freedom. The superimposed textures, linear staircase and horizontal lighting beams in the underground workshop were utilised to contrast the otherwise curvilinear and monochromatic stairs and facade, reflecting the "Dichotomous" theme and Trent Jansen Studio's signature style.